caedmon’s call and the start of 2017

14.35pm
new year’s day 2017
south of york station, virgin east coast service to london’s king’s cross
not listening to caedmon’s call, but felt’s ‘forever breathes the lonely word’

i didn’t go to whitby in search of caedmon. in fact, i had no idea there was a connection between the little english north sea-side town and the band that i followed super-religiously throughout my most formative years. a quickly-planned twixtmas trip to york somehow escalated to the inclusion of whitby – not exactly nearby, but also not that far away – on the itinerary for reasons i genuinely cannot remember or even fathom now. this detail passed me by but became relevant.

caedmon’s call was a band for and of christian people but they weren’t a christian band. or they were, and by that i mean they wrote songs that dived into christian philosophy in a way that my church high school would’ve called heretical. maybe not that extreme, but they made me ask questions and they created wonder where previously i only felt judgement and the push to conform.

after some time, me and the band became ‘friends’ because i went to far too many concerts – sometimes driving upwards of 14 hours across moonbeam-strewn texas plains to catch them in just one more bible-belt town’s church sanctuary or college auditorium. i pushed up the gumption on a snowy night around 1995 in wondrously named glorieta, new mexico and exchanged addresses with derek webb after the show. we wrote letters and chatted on IRC at musicians’ hours and i went to more shows. later i would even cover one of their songs on a long-lost fanclub rarity album (yes i just linked that there and it is from a bygone age and that’s all i have to say).


this is not really meant to be a post about all that, but it is about that, because the sun was setting over whitby a couple of days ago when i realised there was a trajectory of my life that had just come full-circle.

it was a big, yellowish orangish pinkish orb and it was shattering the blue winter sky into a million fragments of pastel when we walked up the 199 steps to whitby’s anglo-saxon hillside retreat where the very oddly shaped church of st mary and, behind it, the foreboding crumbles of benedictine whitby abbey, live, windbattered and muddy. the churchyard has a very atmospheric graveyard where the headstones look out over the north sea in a bleak and perfect fashion. they are all small and old worn stone, like you expect headstones in a graveyard like that to be, but then there’s this one 20ft-high spire of a cross at the very corner of the cemetery.

i credit bill, who looked more closely at it and spotted the name ‘caedmon’ on it, and i knew immediately it was not a coincidence, for how many caedmons were there, ever? at the bottom of the cross, inscribed:

“To the glory of God, and in memory of Caedmon, Father of English sacred song. Fell asleep hard by AD 680.”

caedmon was basically a stable boy at whitby abbey in the 600s. but hilda – at that time abbess of the then-mixed abbey – saw something in him and his verse and voice and encouraged him to keep singing and writing, and caedmon wrote what are possibly some of the very first songs and poems in the english language (a northumbrian dialect of old english), though he is all but forgotten today.


it called me to wonder about caedmon and hilda’s friendship. what did the powerful abbess see in a stable boy? he must have had a very special aura around him, and perhaps she was lonely despite the many monks and nuns around her. if being a career woman in the 21st century is hard, i can only imagine running a sizeable abbey in such a time must have been a gargantuan task with few real friends to call upon. it is said kings came to hilda for advice. who did she go to, i wonder?

sometimes friends arrive in guises that are inexplicable and not really that sensical – inconvenient or troublesome even – and we just have to go with it. i like to think about caedmon and hilda’s secret friendship, hanging out in the stables at odd hours maybe, the puffing of horses in torchlight while they exchanged music and verse in damp, hay-heavy air. hilda probably worried with each footfall she might be discovered in such a tryst, and caedmon just wondering what he did to attract such an important woman’s attention.


2016 was a hard year for many and a year of loss and passing away and foreboding the end of many things. i was sort of hoping that this full-circle life-loop-closing would have some symmetry to it, but actually i first heard caedmon’s call in 1994 and that marks a hardly-round 22-year anniversary. still, much happened in 2016 that felt like the poetic end to some things and the mysterious beginning to others, and i can’t help but feel this strange meeting of caedmon in his final resting place, just a few thousand minutes before the end of 2016, and so many thousands of miles and lives lived since i first heard his story, simply cannot be chance.

When I’m cold and alone all I want
Is my freedom, a sudden gust of gravity
I stop wailing and kicking just to let
This water cover me, cover me

some old photos:

megan6
with derek and my mate becky at trees in dallas (appx 1998?)
megan1
with garrett buell (caedmon’s call percussionist) at the guild 2 weekend (1999)
megan7
myself and my dad, john egenes on mandolin, performing ‘too tender’ at guild 1 weekend (1998) – surely the worst best kept digitised photo of all time
miscold-004
art lawry, myself and i can’t remember the guy on the right, guild 3 weekend in columbus, ga (2001)
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