poem of highway 14

it bucketed
the day i gifted
the bishop’s passing.
a talisman of wishes,
sueños where i see badlands through ocean rain.
the soundtrack?
feast of wire: dulcet painting, desert noir
that we would lay down to,
find orion.
i put us in a pickup bed
somewhere south of socorro
dusty nostrils, crimson clouds
no…pink! no, azure.
then, squinting, the pleiades –
seven sisters all of a tremble.
we’d drive
the turquoise trail, to where it meets the gold mines in madrid
pastures full of cane cholla, buds about to be may fuchsia
dirt between tufts of galleta and tall feathergrass
brown like your skin
after a summer in wild basins.
this rainless landscape
was always so perfect to me.
but nothing is clear now until a downpour of you.



a year of astronomy

The cosmos is all that is or ever was or ever will be. Our feeblest contemplations of the cosmos stir us – there is a tingling in the spine, a catch in the voice, a faint sensation, as if a distant memory, or falling from a height. We know we are approaching the greatest of mysteries. – Carl Sagan

Copyright Stephen Lioy - Photography and Travel Media

much like i don’t believe in regrets, i don’t believe in new year’s resolutions. there is something so self-flagellatory about starting a brand new year off by focusing on something you’ve been doing wrong. even when phrased in an ostensibly positive way (“this year, i want to get stronger and work out more”), its foundation is negative (“i am not currently strong enough”).

i would like to say that, currently, as we are, we are enough. everything about me and you, right now, is enough. even when i shower myself in self-hatred (which i do plenty), i am still enough. just as i am. right now.

instead, i’ve adopted a different practice recently: themed years. this idea came to me from a friend’s concept of giving her years a specific word, like bold or compassion. the idea is similar to a resolution, but doesn’t start from a negative base. rather, it invites you to consider that theme in your life for the whole year.

i’ve taken a different approach, theming my years around things that i want to explore more in-depth in my life. this opens the year wide, giving you 365 whole days to explore something, make it part of you, let it wash over you, and eventually (and in my experience), become a beautifully habitual part of your life. giving yourself an entire year, spread before you, eases the burden. there’s no rush. you’ve got time. 52.14 whole weeks. and you don’t need to use all, or even most of them. just use what you want.

in 2016, my year was poetry. i completed two poetry MOOCs. i practiced writing a chinese-style poem. i wrote some (not a lot of) poetry. i published a tiny bit of it on this site. and i read a lot of poetry by way of signing up for poem-of-the-day emails. i started a poetry twitter list, which still feeds me verse and lyric on a daily basis. i am still writing poetry. it worked.

in 2017, my year was walking. first i bought new boots, and some walking trousers. and then i walked a helluva lot. i walked across an entire country. i trekked several long portions of the south downs way. i walked the lea river and part of the ridgeway. i took 37 walks last year, not including the nine days on hadrian’s wall; these ranged from short 5k strolls into work to 25k bangers. some were overnights. one was with a tent. there was a lot of mud. and some sunshine. plenty of cows. quite a few tears. and huge sense of achievement. i learned to self-soothe while walking. walking got me through the hardest year of my life. and i learned that even 2km is something, so long as you keep on going. and i will. this year and for the rest of my life, because walking is now inextricably part of who i am.

so, here we are in 2018. this year’s theme is astronomy: a topic i have written about on this site already. my dad got me into stargazing: he exposed me to telescopes and the night sky from the time i was little. i’ve always loved the stars, but not until living in london, where visual access to them is so limited, have i yearned for them so much.

this year, i will be looking up. thinking about the heavens, and the cosmos, the universe and the infinite mass of space and time. my dad said to me recently that looking at the stars has always kept him centred. i am looking for more of that in my life: a sense of perspective, being centred.

how this theme will manifest in my life: let’s see! to start with, i’ve signed up for an intro to astronomy course at the royal observatory in greenwich (the home of time and early spacegazing!). i’ve also enrolled in an astronomy MOOC via edx. hopefully, i will save up for a small traveller’s telescope or a pair of binocs, learn to better use a planisphere and memorise a few more of the stars and constellations visible in the annual night sky. some of my travels will also be astronomy-themed or star-centred, and maybe even combine walking and stargazing! and i will read a lot, and probably rewatch contact at least once, because it is the best.

is there something you are interested in but never made time for? some small part of you that wishes you’d been this or done that instead of who you are now? i am here to enable you to make that part of your life, even if it’s only in a small way, or you worry you might not finish, or you won’t be good enough, or you can’t.

because it’s 2018. live your best life. start small. what have you got to lose, for the cosmos is out there, undiscovered, waiting for us.

top photo of me stargazing in kyrgyzstan last september shot by the mega-talented stephen lioy.

poem about ten to midnight 2016

a poem i wrote on this night last year. 

i wanted to write a poem
about 2016
for awhile, but then nothing came.
i waited, watched deathly hollows two,
felt the weight of severus’ death this year
and all the others
and the coming one so and too soon,
then took myself to twitter
to expel the need for some kind of

spent the year
swirling around in mysteries
the enigmas of san lorenzo
and his ancient street
and his bratwurst mile

and so it begins again, all at sea,
with more questions than answers,
a weight
prequel to the one to come.

sure, i’m not a poet
and despite this year of lyrics
the twelve month’s best words –
and the only ones i’ve written worth
uttering on a cold rooftop, or a serviced apartment
with the aircon on at new year’s –

were always about you.

a russian train, and peter the great

Around Moscow, the country rolls gently up from the rivers winding in silvery loops across the pleasant landscape. Small lakes and patches of woods are sprinkled among the meadowlands. Here and there, a village appears, topped by the onion dome of its church.

Peter the Great: His Life and World, Robert K. Massie

midafternoon, and the nevsky express is trundling through the countryside somewhere outside of saint petersburg. everything i’ve read about the bleak landscape of russia in winter is true: it is a great, flat expanse covered in snowy crust and blanketed by thick pines. sometimes this is broken up by a town of wet-stained grey houses painted over in anaemic shades of pink and blue.

though it’s barely past 2pm, the light wanes. a meek sun tries to push through menacing white snowclouds. the hour becomes pink; we cross a frozen river. it feels right being carried across this coldscape to close a year that, for me, has been fuelled by grief and heartbreak.

where do we get our desire to travel, and how do we decide to go where we go? cheap flights make things easier than they were generations ago, but that deep-seated wanderlust seems hard-wired into me in a way i’ve never fully been able to explain.

and the mystery of how we choose where we go. do the destinations, in fact, pick us at the times we are ready? i’ve wanted to go to russia since i was 22 and read robert k. massie’s peter the great. this led me to a temporary college major in russian history, quickly abandoned once i tried actually learning russian and took a moment to consider where a career in this arcane subject might take me. in fact, it probably would have been more useful than i thought back then.

why, then, after all these years, am i only here now?

i read peter the great and fell deeply in love with the early 18th century world i imagined peter the first lived in. a man larger than life (quite literally for he was 7ft tall!), an outsider to the murmuring, bearded world of old muscovy, it was peter’s inquisitive mind and search for things beyond where he lived that put him down in history books as an enduring world leader and the man who single-handedly built backward russia into an empire.

some might say peter was a visionary. to me, he merely followed his heart to the places it took him: lake pleschev outside moscow, where he first encountered a boat and learned to sail it. the city’s german suburb where he made his greatest friends from all over the world. travels in europe. an excursion in england, living in deptford, not far from where i do, and learning the naval arts from great british shipbuilders along the thames. and eventually the frozen marshy gulf of finland, where he built his own perfect city hundreds of miles from the dark, old capital.

rereading massie’s book over these few days in russia has led me to question what exactly it was about peter that captured my imagination, for he was also a deeply flawed man, prone to bouts of anger and overindulgence that led him to an early grave at the age of 52.

it seems to me peter lived with reckless abandon, an underrated quality and one we are taught will lead to our own destruction. for peter, it helped him build an empire and, it seems like, have fun while doing it. and so maybe it is possible to live our wildest, most improbable dreams, find our craziest moments of bliss and still be someone great and build something enduring, too.

the nevsky express slows upon entering an eerie patch of frozen fog. a dead forest of tree stumps closes in on the tracks from every side. the world goes charcoal-grey and suddenly the train compartment’s lights offer a warmth of contrast to all that, out there. another frozen river carves a snaking path of black ice below, and then there’s a small village of shanty wooden huts, roofs sagging. more fog, more pines, more snow.

and somewhere ahead, the steaming lights of old muscovy.

poem on UFOs over galisteo



it’s the instants.

melting butter in a pan
a swirl of soy sauce
stirring chopsticks –
that lift grief to my throat.

i was fine just now,
but then

once more, i’ll tell a stranger
how we saw UFOs that night
darting like summer flies
over the Ortizes.

another Dos Equis
desert vespers
thick ice clunking
in mason jars of well water.

you’re everywhere now.
above the Sandias
the pho joints of south London
feathers on trails i walk.

your instructions always were:

…see the world
don’t come back…

and you meant that.

poem from a hurricane

november and our star
sinking pink along the edges
of an island.
east of the desert
this tumbledown town
minds my heart.

i will live out some existence
looking for sunsets
that glow corners
where you dallied
in record stores
digging for comics.
you’re a nocturn
trying to poach day
without light.

we wandered a lane, lost in the mystic
years ago
i showed my face, you your quietest places of heat
and hysterics
we huddled for awhile, fingering this found treasure

carpet store’s aflame
the street’s blushed
lamps come on
and you – somewhere north
– tucking our wealth into a jewel box.

still, the world en rose
a royal hurricane.

poem about the perseids

supposed to be writing about stargazing. instead, a poem, written a time ago, on the same subject.

a shiver
and wait, neck craned, for a spark
of some comet’s con trail
to blaze far-offly through an upward gaze.
pour another drop of wine
brain firing on syntax backwards
like everything to do with us.
the heart is a vicious machine,
at least in the verse and melody
of the school of spies.
and in this crisp weather,
when autumn feels imminent,
the love of a great name
gives such pause to
those who must scare each other –
deep down –
with the things never said aloud
but felt.